Adolfo Dominguez
Adolfo Dominguez
124 votes
A unique visual signature based on accords, character, and seasonality
Neroli and raspberry burst forth with citrus brightness, but that rotten onion cuts through immediately, creating an almost vegetable-like quality that's deeply disconcerting. It smells like someone's splashed bergamot perfume into a jar of decaying alliums, and you're genuinely uncertain whether you like it.
The florals—jasmine and gardenia—try valiantly to soften the composition, but the moldy leather note emerges with perverse insistence, creating a creaky, somewhat unpleasant leather-and-beeswax sensation. The fruity sweetness recedes as this darker, earthier character takes hold, and the fragrance becomes almost uncomfortable on skin.
White honey and amber blend with patchouli to create a sweet, slightly powdery finish, though that synthetic undertone persists, preventing any genuine warmth from settling. What remains is amber-tinged and honeyed, yet still carrying traces of that peculiar decay—less a resolution than a truce between warring elements.
U Blue Hombre announces itself as a fragrance caught between competing impulses—a bright, almost naive citrus opening wrestles uncomfortably with decidedly darker undercurrents that suggest something's gone slightly wrong, in the most intriguing way possible. The neroli and raspberry create what should be a straightforward fruity-floral opener, but that rotten onion note (yes, actually present) introduces an unsettling savouriness that prevents this from ever being conventionally pretty. It's the olfactory equivalent of biting into what you expect to be a sweet apple only to discover an earthy, slightly fermented bite.
As the composition settles into its heart, jasmine and gardenia attempt to restore order, but the moldy leather that emerges alongside them ensures this remains a fragrance with a peculiar edge—neither masculine nor feminine, neither entirely clean nor deliberately dirty. There's something vaguely unsettling about moldy leather juxtaposed with white florals; it suggests baroque decay, as though you've discovered a long-forgotten leather-bound journal tucked behind a damp wardrobe.
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3.6/5 (173)