Carner
A unique visual signature based on accords, character, and seasonality
Saffron and cumin collide in a dry, almost medicinal burst that reads more apothecary than spice market—there's metallic brightness here, sharp and uncompromising. The leather emerges almost immediately, not supple Florentine goods but something rawer, accompanied by the green-stemmy whisper of violet that adds an unexpected coolness to the heat.
The wood accord takes centre stage as Australian sandalwood's lactonic sweetness tangles with patchouli's dark chocolate earthiness and cedar's dry timber. Oud weaves through in smoky tendrils rather than full-throated roar, whilst the cistus absolute begins its work, adding sticky, amber-toned resin that binds everything together with the warmth of beeswax and sun-baked rockrose.
Cypriol's peculiar smokiness—part vetiver, part burning rope—dominates the final hours, cushioned by tonka bean's subtle vanilla and the animalic whisper of musk. The leather never fully retreats, instead becoming a second skin, warm and lived-in, with amber glowing softly beneath like embers that refuse to die.
Sonia Constant's Cuirs for Carner Barcelona doesn't whisper—it announces itself with the primal rasp of saffron and cumin, two spices that could easily veer into culinary territory but here act as heralds for something altogether more feral. This is leather imagined through an Eastern lens, where the hide has been cured in oud smoke and draped over sandalwood beams. The Australian sandalwood brings its characteristic creaminess, but the Indonesian patchouli and Texas cedar ensure nothing stays polite for long, adding earth and pencil shavings to the mix. Violet threads through the composition with an oddly metallic floralcy, the way crushed leaves smell when rubbed between fingers, whilst the cistus absolute contributes a sticky, ambered resinousness that clings to the leather accord like ancient varnish on a monastery door. The dry down reveals Indian cypriol's smoky, almost burnt-rubber facet working in tandem with the tonka bean, which softens the edges just enough to make this wearable rather than confrontational. This is for those who find most leather fragrances too polite, too "accessory"—Cuirs feels like the actual workshop where the goods are made, all tannins and oils and the ghost of incense from some private ritual. It suits grey cashmere worn with intention, late afternoons in libraries that smell of old paper, anyone who understands that refinement needn't mean restraint.
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3.6/5 (76)