Dolce & Gabbana
Dolce & Gabbana
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A unique visual signature based on accords, character, and seasonality
The lemon-apple combination bursts with that particular 2000s-era translucent fruitiness, bright but never tooth-achingly sweet, whilst the bellflower accord adds an aqueous, almost dewy quality that makes the opening feel like biting into cold fruit beside the sea. Within minutes, a subtle green thread emerges—not grass-like, but something cooler and more architectural, which is the bamboo beginning its quiet ascent.
Jasmine and white rose bloom with surprising restraint, diffused through that bamboo note which creates an effect like smelling flowers through a sheer curtain—present but never thick or indolic. The fruit recedes into a gentle suggestion whilst the florals maintain their airy, sun-bleached quality, neither soapy nor powdery, just consistently fresh in that specific turn-of-the-millennium way.
Cedar and amber create the barest suggestion of warmth without ever tipping into recognisable woodiness—it's more like the scent of sun-dried cotton than actual timber. The musk sits close to skin, slightly sweet, slightly salty, whilst trace elements of lemon linger far longer than the longevity rating suggests they should, creating a clean but surprisingly persistent finish.
Light Blue captures that specific Mediterranean brightness where citrus groves meet the sea—not through heavy marine notes, but via an almost transparent quality that feels perpetually sunlit. The Sicilian lemon here isn't sharp or cleaning-fluid tart; Olivier Cresp has tempered it with apple and an unusual bellflower accord that adds a watery, green-tinged sweetness. This isn't your typical fruity-floral construct—the apple reads as crisp skin rather than jammy flesh, whilst the bellflower brings an almost cucumber-like coolness that bridges the gap between citrus and the bamboo-laced heart.
The jasmine and white rose float atop bamboo in a way that feels deliberately sheer, as though you're smelling flowers through sea-dampened air rather than burying your nose in the blooms themselves. There's a calculated airiness throughout, a deliberate refusal to go dense or honeyed. The woody base of cedar and amber never announces itself boldly—instead, it provides just enough structure to prevent the composition from evaporating entirely, whilst skin musk keeps everything intimate rather than projecting across rooms.
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4.0/5 (35.0k)