Jean-Louis Scherrer
Jean-Louis Scherrer
101 votes
A unique visual signature based on accords, character, and seasonality
The aldehydes arrive like a flash photograph—bright, slightly sharp, almost detergent-clean—before citrus notes (lemon and bergamot particularly) spring forward with zesty vigour. Peach adds a juicy counterpoint, and for these opening moments, the fragrance feels luminous and almost intoxicating, suggesting something far more extroverted than it will prove to be.
By the first hour, the transformation is palpable; the powdery lilac and heliotrope emerge from beneath the citrus, whilst jasmine's darker, almost meaty facets reveal themselves. The rose settles in with surprising quietness, never dominating, whilst ylang-ylang introduces a creamy, almost narcotic sweetness. This is where the fragrance's true character reveals itself—intensely floral yet somehow restrained, wrapped in that distinctive powdery haze that prevents it from blooming into full florality.
The base's warm amber and sandalwood create a softly animalic foundation upon which the tonka bean and vanilla settle, though never heavily. The civet adds an unsettling sensuality, slightly raw and decidedly skin-like. By the fourth hour, projection has become almost imperceptible; what remains is purely personal, a skin scent that smells of incense, warm musk, and the ghost of powdered florals—intimate, slightly mysterious, and utterly uninterested in seeking approval beyond your own circle of intimate distance.
Nuits Indiennes arrives as a contradictory whisper—an eau de parfum that announces itself with aldehydic brightness before dissolving into something far more intimate and ambiguous. Nathalie Feisthauer has constructed a fragrance caught between two worlds: the sharp, almost soapy clarity of citrus and peach aldehydes collides with a dense, almost narcotic floral heart where lilac's powdery green edge wrestles against jasmine's animalic sweetness and ylang-ylang's creamy indole.
This is not a fragrance for confident declarations. Instead, it clings to the skin like a secret told in hushed tones, demanding proximity to be fully appreciated. The heliotrope introduces an almond-tinged sweetness that softens the rose without sentimentality, whilst lily of the valley adds a peppery, slightly soap-like texture that prevents the composition from tipping into cloying territory. Where it truly distinguishes itself is in the base's calculated indulgence: the civet adds an unmistakably animalic undercurrent—almost feline—over warm tonka bean, benzoin, and vanilla that feels less like gourmand comfort and more like the scent of incense-heavy fabrics and musk-stained skin.
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3.4/5 (305)