Masque
A unique visual signature based on accords, character, and seasonality
Ambrette seed and bergamot burst forth with aldehydic crispness, immediately complicated by black pepper's sharp bite and clary sage's herbal, slightly dusty character. Within moments, you realise this won't be a conventional citrus fragrance—there's something deliberately off-kilter about its brightness, a luminosity tinged with unease.
Carrot absolute emerges with peculiar prominence, creating an almost root-like earthiness that shouldn't work but somehow does, whilst orris concrete settles into a cool, slightly mineralised powdery base. Black tea's tannins and the delicate, almost muted white rose create a soft floral bed that feels nostalgic rather than romantic—like smelling flowers through old fabric.
Milk note becomes the dominant player, softening Indian sandalwood and Italian broom absolute into a creamy, skin-like warmth that borders on gourmand. The fragrance becomes increasingly intimate and intimate, settling into a powdery-creamy skin scent that whispers rather than projects, with lingering sweetness and a faint woody undertone.
Masque — IV-I Lost Alice arrives as a peculiar paradox: a fragrance that feels simultaneously luminous and shadowed, caught between innocence and something altogether more complex. Mackenzie Reilly has constructed something genuinely disorienting here—a scent that refuses easy categorisation.
The opening bristles with aldehydic brightness courtesy of bergamot and ambrette seed, those top notes sparking with an almost nervous energy. But French clary sage and black pepper immediately undercut any cheerfulness, introducing a herbal astringency that feels distinctly unsettling. This isn't a fresh opening; it's a fresh opening wearing theatrical makeup.
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3.8/5 (238)