Myrurgia
Myrurgia
258 votes
A unique visual signature based on accords, character, and seasonality
That diesel-orchid collision hits immediately—acrid, almost chemical, with the orchid providing a cool floral sheen that's immediately undercut by something that smells faintly like petrol. It's confrontational and bewildering in equal measure.
The vanilla emerges as a peacekeeper, softening the petrol edge and allowing the woody base to gradually surface, creating an amber-woody sweetness that feels like returning to comfort after a brief experimental detour.
Within four hours, you're left with whispers of amber and ebony wood—a dusty, dry woody-amber signature that's pleasant enough but entirely forgettable, having lost whatever distinctive character it once possessed.
Madras pour Homme arrives as a deliberate contradiction—an orchid that smells of motor oil and petrol. It's genuinely strange, genuinely arresting. Louise Turner has constructed something that shouldn't work but does, at least momentarily: that diesel-orchid pairing creates an almost metallic floral opening, sharp and slightly caustic, like walking past a garage forecourt where someone's left expensive flowers on the bonnet. The vanilla heart doesn't soften this so much as it domesticates it, introducing a creamy sweetness that sits uneasily alongside the woody-amber base, creating a fragrance that feels caught between refinement and roughness.
This is fundamentally a woody-amber composition masquerading as something more adventurous. The woody accord dominates everything—that ebony base is dark, dusty, almost desiccated—whilst the amber provides warmth that never quite coheres with the floral-diesel premise. The sweetness (76% accord) prevents it from becoming truly austere, but also keeps it from being memorable in any dignified way. It's the fragrance equivalent of a man wearing both a silk shirt and work boots, and not entirely sure why.
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3.8/5 (91)