Profumi del Forte
Profumi del Forte
135 votes
A unique visual signature based on accords, character, and seasonality
The three citrus notes tumble forth in an almost cacophonous burst, bitter orange asserting itself first before the mandarins soften the edges into something honeyed and slightly cloying. Within minutes, the synthetic backbone becomes apparent—there's a plastic-like sheen to the composition that makes the citrus feel compressed and dense rather than effervescent.
As the fragrance settles into its middle phase, the banana and coconut emerge with startling clarity, creating an almost creamy, milk-based sweetness that sits uncomfortably alongside the residual citrus. The tiare provides a faint floral whisper, barely detectable beneath the gourmand heaviness, and the overall effect becomes distinctly confectionery—less elegant composition, more candy counter.
The base reveals itself as primarily vanilla and ambergris, though the ambergris reads more as a warming agent than a truly animalic presence. The sweetness deepens into something more amber-tinged, less fruit-forward, though the coconut lingers stubbornly, creating a faintly sunscreen-adjacent drydown that oscillates between pleasant warmth and faint chemical residue.
Vittoria Apuana announces itself as a sun-drunk confection, built upon a triumvirate of citrus notes that feels less like a traditional cologne opening and more like marmalade left to warm in Mediterranean heat. The three orange iterations—bitter, mandarin, and a general orange accord—create a peculiar density in the top register; rather than the typical bright sparkle of citrus, they compress into something almost syrupy, the bitterness of Seville orange wrestling against the sweeter mandarin, already hinting at the gourmand direction to come.
What makes this scent compelling is its frankness about its own construction. There's no pretence of naturalism here. The synthetic quality—clocking in at 64% according to the accords—sits visibly atop the composition like shellac, and somehow this heightens rather than diminishes its appeal. It reads as deliberately artificial, almost retro in its unapologetic artificiality, the way a 1960s candy advertisement smells.
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3.4/5 (86)