Roberto Cavalli
A unique visual signature based on accords, character, and seasonality
Blackcurrant and mandarin deliver an almost cordial-like brightness, with the currant's dark-fruit jamminess immediately apparent against the citrus's sharp, slightly bitter edge. It reads as sweetened but not sugary, with an almost tannic quality lurking beneath the fruity veneer.
The florals emerge with surprising vigour—orange blossom and hibiscus seed create a tart, slightly soapy undercurrent that tempers the fruitiness rather than amplifying it. The synthetic quality becomes more pronounced here, lending the composition a clean, almost aquatic plasticity that modernises what might otherwise read as classical.
Patchouli, amber, and musk settle into an indistinct, powdery haze that neither commits to earthiness nor warmth. The fragrance becomes increasingly diffuse and nearly imperceptible, fading into skin-scent territory with minimal presence or distinction.
Roberto Cavalli's Florence arrives as a candy-bright collision of blackcurrant and mandarin—sweet enough to verge on gourmand, yet restrained by an assertive citrus structure that prevents it from becoming cloying. The opening salvo is undeniably fruity, almost jammy, but what makes this fragrance quietly compelling is how Marie Salamagne orchestrates the heart. Orange blossom and hibiscus seed create a floral foundation that leans tart rather than rosy, their natural astringency cutting through the initial sweetness and anchoring the composition somewhere between a fruit compote and a botanical tisane.
The synthetic accords (64% of its character, by composition) are unmistakably present—there's a shimmering, slightly plastic quality to the florals that some will find off-putting and others will recognise as contemporary and deliberately artificial. This isn't a pursuit of naturalistic beauty; it's a calculated aesthetic choice. The base is where Florence reveals its limitations: patchouli, amber, and musk materialise as diffuse whispers rather than substantive anchors, suggesting a fragrance engineered for linear simplicity rather than architectural complexity.
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3.5/5 (76)