Spezierie Palazzo Vecchio / I Profumi di Firenze
Spezierie Palazzo Vecchio / I Profumi di Firenze
75 votes
A unique visual signature based on accords, character, and seasonality
Lily of the valley emerges with surprising greenness, a crystalline freshness that immediately establishes floral territory. Within moments, bourbon vanilla begins its slow emergence from beneath, sweetening the composition without overwhelming the delicate white floral.
The vanilla moves centre stage completely, its caramel-tinged warmth now unmistakable, whilst the lily retreats into a ghostly supporting role. The cream accord develops, softening everything into a powdery, almost talc-like texture that feels like wearing a second skin.
What remains is essentially a creamy, sweet hum—the vanilla and cream have merged into something barely distinguishable from skin itself, whilst traces of floral powder linger as a subtle reminder of the opening's brighter moment.
Vaniglia del Madagascar Spezierie Palazzo Vecchio is a fragrance that commits entirely to its thesis: vanilla as a creamy, almost textural experience rather than a gourmand afterthought. Giovanni di Massimo has constructed something deliberately restrained, where lily of the valley doesn't announce itself with typical floral shrillness but instead whispers beneath layers of bourbon vanilla's caramel-tinged warmth. The heart of this composition is where the magic unfolds—that interaction between the delicate, slightly green freshness of the lily and the rich, almost buttery sweetness of Madagascar vanilla creates an effect somewhere between a dusted pastry and a skin scent. The cream accord doesn't read as whipped or airy; it's dense, almost custard-like, lending a powdery softness that prevents the whole composition from cloying.
This is a fragrance for those who appreciate the architectural restraint of 1990s composition—when perfumers weren't afraid of negative space. It's peculiarly intimate, almost private, despite its edible sweetness. The wearer of Vaniglia del Madagascar is someone unbothered by projection, content to exist in a personal cloud of comfort. It's suited to quiet moments: late-morning coffee, an afternoon spent with books, perhaps evening wear when only the nearest conversationalist matters. There's something deliberately anti-trend about it, almost museum-like in its dedication to a singular vision. This is vanilla stripped of its dessert-counter brashness and elevated into something contemplative.
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3.9/5 (113)