Tiziana Terenzi
A unique visual signature based on accords, character, and seasonality
The ambergris hits first with an almost salty warmth, immediately undercut by the pheromone accord that creates an envelope of magnetic musky sweetness—think skin heated by sun rather than florals in a bottle. Within moments, that top-note trinity establishes itself as distinctly carnal, setting expectations for something far more sensual than typical vanilla fragrances.
Tahitian vanilla blooms with a creamy, slightly boozy character, whilst jasmine and lily of the valley weave in with a waxy, animalic quality. The spice accord emerges here—a subtle peppery warmth that prevents the composition from becoming purely sugary—creating a seductive mid-phase where sweetness and sophistication collide.
Bourbon vanilla and oud create a resinous, woody foundation that becomes increasingly prominent, the vanilla taking on a caramelised, almost leathery quality. The fragrance settles into a subtle, skin-close scent, creamy and warm, that smells distinctly personal—as though it's been on your skin all day rather than freshly applied.
Dionisio arrives as a paradox—animalic yet refined, feral yet intimate. Paolo Terenzi has constructed something far removed from conventional gourmand fragrances; this is less "cupcake" and more "skin scent with fangs." The ambergris-pheromone pairing in the opening creates an almost primal magnetism, a warm second-skin quality that feels less like fragrance and more like an enhancement of your own chemistry. As it settles, Tahitian vanilla emerges with a creamy, slightly fermented character—not the bright cheerfulness of synthetic vanillin, but something darker, more complex. The jasmine and lily of the valley provide a subtle floral frame without ever becoming fresh or bright; instead, they add a waxy, almost indolic whisper that prevents the composition from tipping into pure sweetness. The woody-spicy accord (the Bourbon vanilla and oud base) grounds everything, offering a peppery, resinous foundation that recalls aged leather and burnt sugar. This is a fragrance for someone who finds comfort in sensuality rather than showmanship, who wants to be smelled rather than announced. It's the scent of long dinners, skin contact, and deliberately intimate spaces—worn by those confident enough to let fragrance become dialogue rather than monologue. Dionisio rewards proximity; it's a perfume that whispers rather than shouts.
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3.9/5 (74)