XerJoff
XerJoff
341 votes
A unique visual signature based on accords, character, and seasonality
The first spray delivers a bright shock of bergamot laced with cardamom's green, eucalyptus-like bite, whilst nutmeg adds a dusty warmth that keeps the citrus from turning too cologne-like. Rose emerges almost immediately, not shy or dewy but full-throated and slightly peppery, its natural spice amplified by the supporting cast of aromatics.
Tuberose and neroli take the stage, creating a creamy-bitter tension that's thoroughly addictive—think orange blossom absolute's waxy richness meeting tuberose's rubber-and-cream signature. The jasmine and ylang ylang form a heady cloud around the rose, which has now settled into a jammy, almost Turkish delight-like sweetness, whilst the spices recede to a murmur.
What remains is a clean, slightly powdery skin scent where musk and cashmere wood create a soft focus effect around amber's gentle warmth. The patchouli and cedarwood provide subtle woody ballast without ever turning overtly earthy, whilst ghostly traces of white florals linger like the memory of expensive hand cream.
XerJoff's Torino23 reads like a love letter to the northern Italian city, where baroque grandeur meets alpine freshness. This is rose given the full operatic treatment—not the soliflore route, but rather rose as the centrepiece of a complex floral arrangement. The opening feels almost medicinal in its brightness, as bergamot's sharp citrus cuts through nutmeg and cardamom's resinous spice, creating an aromatic haze that hovers over the floral heart. That rose, however, refuses to play demure: it's full-bodied and slightly jammy, lifted by neroli's bitter-fresh petals and grounded by tuberose's creamy indoles. The ylang ylang and jasmine add a narcotic sweetness that could tip into headache territory, but the spices maintain an airy quality that keeps everything from collapsing into cloying.
What makes Torino23 compelling is its constant push-pull between fresh and opulent. The base introduces cashmere wood's fuzzy softness and a polite patchouli that's been scrubbed clean of its earthy funk, whilst amber and musk create a skin-like warmth beneath the florals. There's cedarwood here too, though it reads more as texture than statement—a woody framework rather than pencil shavings. This is for someone who wants their florals substantial but not suffocating, who appreciates rose without drowning in it. Wear it to gallery openings in converted palazzos, to afternoon aperitivos when you've dressed slightly too well. It's expensive in feeling, though not necessarily in execution—polished rather than revolutionary.
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3.8/5 (233)