Elizabeth Arden
Elizabeth Arden
219 votes
A unique visual signature based on accords, character, and seasonality
The aniseed arrives first, sharp and almost alcoholic, cutting through a wave of ripe stone fruit—the plum particularly prominent—whilst orange blossom attempts to impose structure. It's bright, slightly spicy, decidedly present, almost demanding attention.
The floral chorus erupts: tuberose and jasmine dominate entirely, their creamy sweetness amplified by honey and freesia, creating an almost dessert-like impression. The aniseed melts into the background, and what remains is an indulgent, soft, predominantly sweet floral cloud with minimal complexity—just layer upon layer of traditionally feminine florals.
The amber and heliotrope attempt to ground the composition, introducing a faint warmth and slightly powdery texture, but the fragrance has already begun its disappearing act. Within four hours, only a gossamer trace remains on the skin, barely discernible beyond an arm's length—essentially a skin scent by default rather than design.
Red Door is a fragrance caught between two competing impulses—and therein lies its peculiar charm. Carlos Benaïm crafted something that feels caught in the liminal space between a bright fruity-floral and a creamy amber confection, never quite committing fully to either.
The opening strikes with an almost aggressive brightness: aniseed cuts through peach and plum with a liquorice-like sharpness, whilst orange blossom provides the requisite citrus polish. It's spirited, even slightly jarring—this isn't a gentle introduction. But within moments, the heart reveals itself as something considerably softer, almost overwrought. Tuberose and jasmine swell into an opulent, nearly cloying floral mass, buttressed by honey and freesia that lend an almost edible sweetness. The spice accord (76% according to the data, though you'd struggle to identify exactly which spices dominate) sits underneath like a faint aniseed hum, providing barely perceptible warmth rather than genuine punch.
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3.8/5 (351)