Juliette Has A Gun
A unique visual signature based on accords, character, and seasonality
Bergamot arrives with sharp, almost medicinal clarity, cutting across a immediately noticeable magnolia that feels almost powdered, like touching a freshly applied makeup base. There's an instant sense that this is a fragrance deliberately downplayed in projection, whispering rather than declaring itself.
The mirabelle plum gradually emerges, introducing a subtle fruitiness that prevents the magnolia from feeling entirely austere—a quiet jammy quality that sits somewhere between a plum tart and natural skin warmth. The florality softens into something almost skinlike, a clean, soapy magnolia that grounds itself rather than floating upwards.
Ambroxan and musk settle into a faintly powdery, almost talc-like embrace, the magnolia becoming increasingly transparent as the composition reduces itself to little more than a musky, lightly fruited skin scent. By the final hours, Magnolia Bliss has largely retreated, leaving behind a barely-there whisper of musk and that subtle plum memory.
Magnolia Bliss arrives as a peculiar beast: a fragrance that wears its synthetic backbone with surprising candour, yet somehow emerges as something oddly compelling rather than clinical. The magnolia here doesn't perform as the creamy, almost indolic white floral you might expect; instead, it's been thoroughly modernised, skewed towards a waxy, almost soapy interpretation that sits comfortably between skincare and perfumery. This is magnolia filtered through contemporary sensibilities—cleaner, lighter, stripped of the heavier sensual undertones the flower typically commands.
What saves Magnolia Bliss from mere novelty is the interplay between that floral-synthetic spine and the mirabelle plum, which arrives as something genuinely interesting: a stone fruit note with an almost jammy ripeness, yet never quite resolving into gourmand sweetness. The bergamot top adds a citric spine that prevents the whole composition from becoming cloying, though its brightness feels somewhat disconnected from the softer florality beneath—as if two distinct compositions are being asked to coexist rather than fully merge.
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3.3/5 (106)