Moschino
A unique visual signature based on accords, character, and seasonality
Blackcurrant and blood orange collide with an immediate peppery bite, creating something brisk and almost tart—the fragrance announces itself with citrus-forward energy before that pink pepper begins its prickling work. The initial impression reads fresh and fruity, aggressively bright without any honeyed warmth.
As the citrus recedes, green tea's dry, slightly astringent character emerges, whilst peony and violet construct a floral framework that feels more herbaceous than traditionally pretty. The fragrance develops a cool, almost chamomile-like quality—contemplative and refined, with jasmine adding creamy depth without drowning the composition.
Amber and cedarwood anchor what remains, though projection becomes increasingly intimate. The musk provides a subtle second skin quality, while the base notes never quite dominate, leaving traces of violet and that lingering green-tea astringency—a gentle, understated fade rather than a definitive conclusion.
Moschino's Funny! arrives as a deliberately cheeky proposition—a fragrance that refuses to take itself seriously, much like the brand's irreverent design ethos. Antoine Maisondieu constructs something inherently playful here: the opening citrus (blood orange and blackcurrant) sits atop a surprisingly sophisticated green-floral architecture that never quite commits to sweetness. The pink pepper acts as a mischievous punctuation mark, adding a prickling spice that prevents the composition from drifting into predictable feminine territory.
What's genuinely interesting is how the heart notes interact—green tea's astringent grassiness threads through peony and violet, creating a slightly tart, almost mineral quality that suggests fresh laundry left in spring air rather than a perfumer's vision of "floralité." The jasmine doesn't sweeten so much as add a creamy backdrop, allowing the green notes their moment. It's a fragrance for someone who approaches style with wit, who sees perfume as another vehicle for self-expression rather than seduction. This suits the person equally comfortable in vintage slips and oversized tailoring, who appreciates the absurdist detail as much as the silhouette.
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3.9/5 (161)