Ormonde Jayne
Ormonde Jayne
84 votes
A unique visual signature based on accords, character, and seasonality
The pomelo and pimento arrive with brightness and a distinctly citrus-herbal bite, almost resembling white pepper more than sweet spice. Within minutes, the davana honey begins threading through, creating an almost jammy sweetness that prevents the top notes from feeling austere or cold.
The water lily becomes predominant, that cool, almost aquatic floral quality tempering the increasingly honeyed character of the composition. The Indian jasmine sambac lends a creamy, slightly animalic depth, whilst the osmanthus absolute provides a delicate peach-like tone—all three florals interweave without any single note dominating, creating an almost ethereal density.
The cedarwood and Egyptian vetiver emerge gradually, grounding what was once aerial with a gentle woody structure. Labdanum contributes a soft amber warmth, whilst musk becomes a barely-perceptible second skin—if the fragrance's sillage has faded almost entirely by this point, the remaining scent remains intimate and deliberately understated, a whisper rather than a statement.
Osmanthus Ormonde Jayne occupies a peculiar liminal space—it's ostensibly a fragrance about flowers, yet it approaches them with the restraint of someone whispering rather than declaring. Geza Schön has constructed something deliberately ephemeral, a scent that prioritises immediacy over persistence, which feels almost subversive for an eau de parfum. The pomelo and pimento create a brightening citrus-spice scaffold that immediately sets this apart from conventional floral compositions; there's a peppery snap that prevents the inevitable jasmine and osmanthus from becoming cloying or predictable.
What's most compelling here is how the water lily and Indian jasmine sambac interact with that Japanese osmanthus absolute—rather than building towards a full-bodied floral bloom, they create something more impressionistic, almost watercolour-like in its diffusion. The davana adds a honeyed, slightly fruity undertone that softens the composition without sweetening it into dessert territory. There's an intellectual quality to this fragrance; it appeals to those who appreciate florals not for their romantic associations but for their structural possibilities.
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Perris Monte Carlo
3.9/5 (161)